LAWS 7789
Entertainment Law · 1 instructor on record · 5 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
Most entertainment law practitioners agree "Entertainment Law" has no set definition, but includes a hybrid of distinct areas of the law, including but not limited to, copyright, trademark, contracts, wills, estate planning, real estate, bankruptcy and intellectual property. Course focuses on the protection of IP and the contractual relationships between various parties in the Entertainment and Music Industry. A major focus will be analysis of the Copyright Act of 1976, as amended, the Digital Millennium Copyright Act, and the protection of IP and contractual rights in TV, film, music, books, etc. The relationship between the artist and his/her manager, agent, lawyer, and record company will be explored in great detail. Course will cover representation of artists and music labels and the problems they encounter. Students will participate in a group exercise where they negotiate a record deal on behalf of either the artist or the record label, and report back their terms to instructors.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Christopher BrownAdvancing Studies | 845 records | 25th | 9th |
There is no ranking to read here: Christopher Brown is the only instructor with evaluation records for LAWS 7789, so the number is a record, not a position.
Also taught by Christopher Brown
1 other class| Class | Instructors | Course score |
|---|---|---|
| ADSA 7504Sports Law and Compliance | 518 records | 83 |
Other LAWS classes
All of them| Class | Instructors | Course score |
|---|---|---|
| LAWS 2110Critical Perspectives: Law, Context, and Professional Identity | 3080 records | 66 |
| LAWS 8667Legal Practice Externship | 251 records | 91 |
| LAWS 2150Law Practice 1 | 1032 records | 84 |
| LAWS 2155Law Practice II | 1032 records | 83 |
| LAWS 8130Advanced Legal Research | 829 records | 92 |
| LAWS 2190Professional Responsibility | 926 records | 74 |
The line
All 13 items · means across 5 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
5 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Christopher Brown | Fall 2025 | 01 | 88 | 84 | 40 |
| Christopher Brown | Fall 2024 | 01 | 90 | 84 | 40 |
| Christopher Brown | Fall 2023 | 01 | 82 | 77 | — |
| Christopher Brown | Fall 2022 | 01 | 79 | 77 | 40 |
| Christopher Brown | Fall 2021 | 01 | 82 | 79 | — |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.