ENGL 4538
Visual Culture in Black America: The Art and Politics of Seeing and Being Seen · 1 instructor on record · 2 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This courses fulfills the Race, Blackness, and Language requirement for English majors.In this course, we will examine the significance of visual culture for Black America, thinking critically about the art and politics of seeing and being seen. Well keep in mind the following questions: what does it mean to see blackness? How do images function as tools of empowerment and disempowerment, or representation and misrepresentation? What role does visual media play in Black life and imagination? Photography will be central to the study of visibility, but well also consider what role other media play in the production of blackness as a visual phenomenon: literature, performance, and music videos. Authors and artists may include Frederick Douglass, Sojourner Truth, Ida B. Wells, W.E.B. Du Bois, Josephine Baker, Gordon Parks, Spike Lee, Hype Williams, Melina Matsoukas, Claudia Rankine, and LaToya Ruby Frazier. Assignments will include weekly discussion posts on readings and images featured in the course, and one creative project that may take the form of a photo-essay, critical paper, or video related to Black visual culture.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Jovonna JonesAssistant Professor, English and African & African Diaspora Studies · English Provisional | 972 records | 25th | 39th |
There is no ranking to read here: Jovonna Jones is the only instructor with evaluation records for ENGL 4538, so the number is a record, not a position. It rests on 2 records, which is thin — read it as provisional.
Also taught by Jovonna Jones
5 other classes| Class | Instructors | Course score |
|---|---|---|
| ENGL 1080Literature Core | 90257 records | 80 |
| ENGL 2133Studies in Narrative | 1634 records | 87 |
| AADS 6600Senior Seminar: Theorizing the Diaspora | 46 records | 94 |
| AADS 6302Seminar: Black Feminist Literature, Art, and Performance, 1970s-1990s | 11 record | 100 |
| ENGL 5035Seminar: PoV: Identity, Media, and Visual Narrative | 11 record | 86 |
Other ENGL classes
All of them| Class | Instructors | Course score |
|---|---|---|
| ENGL 1010First Year Writing Seminar | 136442 records | 80 |
| ENGL 1080Literature Core | 90257 records | 80 |
| ENGL 1079Literature Core for Multilingual Students | 1340 records | 89 |
| ENGL 2221Introduction to Creative Writing | 936 records | 90 |
| ENGL 2133Studies in Narrative | 1634 records | 87 |
| ENGL 2131Studies in Poetry | 1333 records | 84 |
The line
All 13 items · means across 2 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
2 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Jovonna Jones | Spring 2024 | 01 | 96 | 94 | 40 |
| Jovonna Jones | Spring 2023 | 01 | 98 | 94 | 40 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.