ITAL 8855
Italian Authorial Cinema · 1 instructor on record · 2 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
Conducted in Italian. This course will offer graduate students the opportunity to explore directors, films, and movements of Italian cinema from Postwar to the New Millennium. A central focus will be the definition of authorship in the study of Italian cinema. From Neorealism to Comedy "Italian Style," from the art films of the 1960s to contemporary experimentation, Italian directors have shaped the Italian cinematic universe and consolidated its relevance worldwide. The ultimate goal is to provide graduate students with the critical tools to analyze cinema and acquire methods for both teaching and writing on this subject.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Mattia AcetosoAssociate Professor of Italian · Romance Languages and Literatures Provisional | 962 records | 85th | 42nd |
There is no ranking to read here: Mattia Acetoso is the only instructor with evaluation records for ITAL 8855, so the number is a record, not a position. It rests on 2 records, which is thin — read it as provisional.
Also taught by Mattia Acetoso
6 other classes| Class | Instructors | Course score |
|---|---|---|
| ITAL 2214Italian Conversation, Composition, and Reading II | 25 records | 90 |
| RLRL 9990Graduate and Professional Seminar | 15 records | 83 |
| ITAL 2213Italian Conversation, Composition, and Reading I | 23 records | 95 |
| ITAL 5571Intro to Italian Cinema | 12 records | 90 |
| ITAL 5583Murder, They Wrote: Italian Detective Fiction | 12 records | 97 |
| ITAL 8825Italian Novel of the Novecento | 12 records | 93 |
Other ITAL classes
All of them| Class | Instructors | Course score |
|---|---|---|
| ITAL 1004Elementary Italian II | 1133 records | 84 |
| ITAL 1114Intermediate Italian II | 1029 records | 83 |
| ITAL 1003Elementary Italian I | 922 records | 85 |
| ITAL 1113Intermediate Italian I | 1019 records | 80 |
| ITAL 1021Elementary Italian Practicum I | 210 records | 81 |
| ITAL 1022Elementary Italian Practicum II | 210 records | 83 |
The line
All 13 items · means across 2 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
2 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Mattia Acetoso | Fall 2024 | 01 | 92 | 88 | 80 |
| Mattia Acetoso | Spring 2023 | 01 | 100 | 95 | 60 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.