THTR 3362
Playwriting I · 1 instructor on record · 4 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This writing-intensive course offers a practical introduction to the art and craft of writing for performance. Students will engage in numerous writing exercises that highlight the special demands and opportunities of writing for the stage. Emphasis is placed on finding ways to contact and release the theatrical imagination and on mastering the basics of writing a solid dramatic scene. Exemplary plays by established playwrights will be studied as appropriate, but the overwhelming emphasis is on student writing.
| Instructor | Overall | Workload | Challenge | RMP overall |
|---|---|---|---|---|
| Scott CummingsTheater | 924 records | 78th | 58th | 601 rating · all classes |
There is no ranking to read here: Scott Cummings is the only instructor with evaluation records for THTR 3362, so the number is a record, not a position. The RateMyProfessors figure is their overall score across everything they teach, not their score in this class.
Also taught by Scott Cummings
6 other classes| Class | Instructors | Course score |
|---|---|---|
| THTR 1172Dramatic Structure and Theatrical Process | 15 records | 79 |
| THTR 3386Shakespeare on the Stage | 12 records | 91 |
| THTR 3372Contemporary Theatre and Drama in London | 11 record | 100 |
| THTR 3373Contemporary Theatre and Drama in London | 11 record | 100 |
| THTR 3382Contemporary American Theatre | 11 record | 100 |
| THTR 3396Chekhov On The Stage | 11 record | 83 |
Other THTR classes
All of them| Class | Instructors | Course score |
|---|---|---|
| THTR 1170Introduction to Theatre | 1299 records | 76 |
| THTR 1103Acting I: Fundamentals of Performance | 325 records | 91 |
| THTR 1012Theatre Production Lab I: Wardrobe Run | 317 records | 83 |
| THTR 1120Elements of Dance | 116 records | 71 |
| THTR 1140Elements of Theatrical Design | 514 records | 69 |
| THTR 1130Elements of Stagecraft | 513 records | 78 |
The line
All 13 items · means across 4 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
4 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Scott Cummings | Fall 2025 | 01 | 100 | 100 | 60 |
| Scott Cummings | Fall 2023 | 01 | 87 | 87 | — |
| Scott Cummings | Fall 2022 | 01 | 89 | 82 | 60 |
| Scott Cummings | Spring 2022 | 01 | 93 | 100 | 60 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.