MUSP 1615
Irish Fiddle/Experienced Beginner · 1 instructor on record · 7 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
Performance course. For students who have at least one year's experience playing the violin, this class will help students continue in the development of violin technique. Students will learn more advanced Irish dance tunes with some beginning ornamentation (bowing and fingering). Students may take the experienced beginner class for more than one semester until they feel ready to move to the Intermediate level.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Sheila Falls KeohaneIrish Fiddle | Director, Gaelic Roots Program at Boston College · Music | 997 records | 25th | 79th |
There is no ranking to read here: Sheila Falls Keohane is the only instructor with evaluation records for MUSP 1615, so the number is a record, not a position.
Also taught by Sheila Falls Keohane
1 other class| Class | Instructors | Course score |
|---|---|---|
| MUSP 2600Irish Fiddle/Intermediate | 17 records | 98 |
Other MUSP classes
All of them| Class | Instructors | Course score |
|---|---|---|
| MUSP 2820Chamber Music Ensembles | 420 records | 93 |
| MUSP 1660Middle East Astaza! Music Ensemble | 314 records | 96 |
| MUSP 1670Waaw Waaw Sabar: BC West African Music Ensemble | 214 records | 95 |
| MUSP 2750Musical Theater Cabaret | 214 records | 90 |
| MUSP 1760Introduction to Improvisation | 18 records | 90 |
| MUSP 1770Gospel Music Workshop | 28 records | 96 |
The line
All 13 items · means across 7 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
7 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Sheila Falls Keohane | Spring 2026 | 01 | 100 | 100 | — |
| Sheila Falls Keohane | Fall 2025 | 01 | 100 | 100 | — |
| Sheila Falls Keohane | Spring 2025 | 01 | 100 | 100 | — |
| Sheila Falls Keohane | Fall 2024 | 01 | 100 | 100 | — |
| Sheila Falls Keohane | Spring 2024 | 01 | 100 | 100 | 40 |
| Sheila Falls Keohane | Spring 2023 | 01 | 100 | 100 | — |
| Sheila Falls Keohane | Fall 2022 | 01 | 93 | 87 | — |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.