MUSP 1760
Introduction to Improvisation · 1 instructor on record · 8 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
Improvisation is a central feature of many Western musical styles. This course offers students the opportunity to learn how to improvise in jazz, blues and rock. In a hands-on manner, students are introduced to the fundamental concepts of improvising. No prior experience is necessary, and there is no prerequisite, but you should have at least some experience playing an instrument or singing. In addition to extensive in-class performance, accompaniment recordings are provided for practice outside class.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Eric KniffinMusic | 938 records | 2nd | 23rd |
There is no ranking to read here: Eric Kniffin is the only instructor with evaluation records for MUSP 1760, so the number is a record, not a position.
Also taught by Eric Kniffin
3 other classesOther MUSP classes
All of them| Class | Instructors | Course score |
|---|---|---|
| MUSP 2820Chamber Music Ensembles | 420 records | 93 |
| MUSP 1660Middle East Astaza! Music Ensemble | 314 records | 96 |
| MUSP 1670Waaw Waaw Sabar: BC West African Music Ensemble | 214 records | 95 |
| MUSP 2750Musical Theater Cabaret | 214 records | 90 |
| MUSP 1770Gospel Music Workshop | 28 records | 96 |
| MUSP 1842The Boston College Piano Ensemble | 18 records | 96 |
The line
All 13 items · means across 8 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
8 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Eric Kniffin | Spring 2026 | 01 | 96 | 100 | 20 |
| Eric Kniffin | Fall 2025 | 01 | 100 | 100 | — |
| Eric Kniffin | Spring 2025 | 01 | 100 | 98 | 40 |
| Eric Kniffin | Fall 2024 | 01 | 93 | 95 | — |
| Eric Kniffin | Fall 2023 | 01 | — | — | — |
| Eric Kniffin | Spring 2023 | 01 | 60 | 60 | 40 |
| Eric Kniffin | Fall 2022 | 01 | 100 | 80 | 40 |
| Eric Kniffin | Spring 2022 | 01 | 100 | 100 | 20 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.