HIST 1731
Creative Women: Society and Culture During the Renaissance · 1 instructor on record · 1 section
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This is an Enduring Question course and is open to FRESHMEN only. You must take both ARTH1715 and HIST1731. How do women shape culture and society? In 1971, Linda Nochlin posed the trailblazing question, "Why are there no great women artists?" A few years later, in 1976, medievalist Joan Kelly similarly inquired, "Did women have a Renaissance?" Prior to that time, women scarcely appeared in the pages of history and art history books. Since then, scholars have unearthed abundant evidence of women's productivity beyond the domestic sphere. These paired courses examine how women made significant contributions in political, intellectual, creative, and artisanal work during the long Renaissance (1400-1650), as well as explore connections with creative women in our own time.
| Instructor | Overall | Workload | Challenge | RMP overall |
|---|---|---|---|---|
| Sarah RossHistory Provisional | 941 record | 78th | 62nd | 6611 ratings · all classes |
There is no ranking to read here: Sarah Ross is the only instructor with evaluation records for HIST 1731, so the number is a record, not a position. It rests on 1 record, which is thin — read it as provisional. The RateMyProfessors figure is their overall score across everything they teach, not their score in this class.
Also taught by Sarah Ross
6 other classes| Class | Instructors | Course score |
|---|---|---|
| HIST 1001Europe in the World 1 | 2077 records | 72 |
| HIST 1041World of Early Modern Europe | 23 records | 82 |
| HIST 4234Machiavelli Unmasked | 13 records | 96 |
| HIST 2210The Secrets of Venice, from Global Player to Tourist Trap | 12 records | 85 |
| HIST 4122Odysseys in the Western and Islamic Traditions | 22 records | 100 |
| HIST 4230The Age of the Renaissance | 12 records | 88 |
Other HIST classes
All of them| Class | Instructors | Course score |
|---|---|---|
| HIST 1001Europe in the World 1 | 2077 records | 72 |
| HIST 1002Europe in the World II | 1541 records | 75 |
| HIST 1113The African Diaspora and the World I | 1239 records | 76 |
| HIST 1012Atlantic Worlds II: Race, Religion, and the Struggle for Democracy | 1134 records | 75 |
| HIST 1093Modern History I | 930 records | 79 |
| HIST 1094Modern History II | 824 records | 81 |
The line
All 13 items · means across 1 recordBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
1 section · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Sarah Ross | Fall 2025 | 01 | 94 | 89 | 60 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.