COMM 4481
The Cultural Politics of Film and TV History · 1 instructor on record · 1 section
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
Satisfies one of two writing intensive courses required with the Communication major. Restricted to Juniors and Seniors. This course explores the evolution of film and television genre in the United States. By examining the sociopolitical context of different eras, students will gain an understanding of how political ideologies, major historical events, cultural shifts, and technological advancements influence the production of television and film. From science fiction to sitcoms to superhero franchises, among many other screen genres, students will engage with television and film analysis theories and methods to illuminate American sociopolitical culture over the decades. By the course's end, students will demonstrate their understanding of course themes through both lively conversation and writing assignments.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Joshua TrueloveCommunication Provisional | 971 record | 25th | 89th |
There is no ranking to read here: Joshua Truelove is the only instructor with evaluation records for COMM 4481, so the number is a record, not a position. It rests on 1 record, which is thin — read it as provisional.
Also taught by Joshua Truelove
3 other classesOther COMM classes
All of them| Class | Instructors | Course score |
|---|---|---|
| COMM 1030Public Speaking | 1166 records | 83 |
| COMM 1065Fundamentals of Creative Communication | 746 records | 79 |
| COMM 1010The Rhetorical Tradition | 320 records | 83 |
| COMM 1020Introduction to Media Studies | 220 records | 83 |
| COMM 2213Fundamentals of Audio I | 120 records | 85 |
| COMM 1060Anti-Social Media | 217 records | 95 |
The line
All 13 items · means across 1 recordBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
1 section · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Joshua Truelove | Spring 2026 | 01 | 97 | 94 | 40 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.