COMM 3362
Film Theory and Criticism · 1 instructor on record · 7 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
Satisfies the required theory course in the Communication major This course is structured around the question of how visual media convey and influence the world in which they are created. By surveying some of the major questions raised by theorists from the beginnings of film as a medium to the present, students will gain critical lenses through which to historically and theoretically engage visual media. We will cover topics including: film aesthetics; Marxist, psychoanalytic, feminist, critical race, and queer theoretical approaches to film criticism; television studies; and new media theories. Students will learn how to analyze film on a formal level, taking into account how form creates meaning, and to think historically and theoretically about how film as art and commerce has contributed to shaping "smaller screen" media forms and understandings.
| Instructor | Overall | Workload | Challenge | RMP overall |
|---|---|---|---|---|
| Renee PastelAssistant Professor · Communication | 767 records | 78th | 66th | 1001 rating · all classes |
There is no ranking to read here: Renee Pastel is the only instructor with evaluation records for COMM 3362, so the number is a record, not a position. The RateMyProfessors figure is their overall score across everything they teach, not their score in this class.
Also taught by Renee Pastel
4 other classesOther COMM classes
All of them| Class | Instructors | Course score |
|---|---|---|
| COMM 1030Public Speaking | 1166 records | 83 |
| COMM 1065Fundamentals of Creative Communication | 746 records | 79 |
| COMM 1010The Rhetorical Tradition | 320 records | 83 |
| COMM 1020Introduction to Media Studies | 220 records | 83 |
| COMM 2213Fundamentals of Audio I | 120 records | 85 |
| COMM 1060Anti-Social Media | 217 records | 95 |
The line
All 13 items · means across 7 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
7 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Renee Pastel | Fall 2024 | 01 | 94 | 90 | 60 |
| Renee Pastel | Fall 2023 | 01 | 66 | 53 | — |
| Renee Pastel | Fall 2023 | 02 | 69 | 63 | — |
| Renee Pastel | Fall 2022 | 01 | 69 | 53 | 60 |
| Renee Pastel | Fall 2022 | 02 | 83 | 72 | 60 |
| Renee Pastel | Fall 2021 | 01 | 82 | 78 | 60 |
| Renee Pastel | Fall 2021 | 02 | 67 | 67 | — |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.