ARTH 3368
Contemporary Photography · 1 instructor on record · 4 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
The course will trace the development of photography from the 1960s--when its status in the art world was fundamentally changed by the rise of conceptualism--to the present. The course will address themes including the relationship between photography and performance art, the culture wars, identity politics, environmental concerns, globalization, digital media, and how photography has been shaped by the art market. Although the course will focus on fine art photography, we will also consider commercial and journalistic work.
| Instructor | Overall | Workload | Challenge | RMP overall |
|---|---|---|---|---|
| Asher AndersonPart-time Faculty, Art History · Art, Art History, and Film | 884 records | 29th | 33rd | 1001 rating · all classes |
There is no ranking to read here: Asher Anderson is the only instructor with evaluation records for ARTH 3368, so the number is a record, not a position. The RateMyProfessors figure is their overall score across everything they teach, not their score in this class.
Also taught by Asher Anderson
6 other classes| Class | Instructors | Course score |
|---|---|---|
| ARTH 2205Early American Art | 18 records | 84 |
| ARTH 2258Modernism and the Avant-Garde, 1900-1945 | 35 records | 84 |
| ARTH 4401Seminar in Art Historical Research | 35 records | 88 |
| ARTH 2285History of Photography | 14 records | 81 |
| ARTH 2204Postwar: Art After 1945 | 23 records | 87 |
| ARTH 3362Photography and Modernism | 13 records | 80 |
Other ARTH classes
All of themThe line
All 13 items · means across 4 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
4 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Asher Anderson | Fall 2025 | 01 | 89 | 73 | 40 |
| Asher Anderson | Fall 2023 | 01 | 93 | 87 | 40 |
| Asher Anderson | Fall 2022 | 01 | 85 | 84 | 40 |
| Asher Anderson | Fall 2021 | 01 | 83 | 88 | 60 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.