ARTH 1715
Creative Women: The Art World During the Renaissance · 1 instructor on record · 1 section
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This is an Enduring Question course and is open to FRESHMEN only. You must take both ARTH1715 and HIST1731. How do women shape culture and society? In 1971, Linda Nochlin posed the trailblazing question, "Why are there no great women artists?" A few years later, in 1976, medievalist Joan Kelly similarly inquired, "Did women have a Renaissance?" Prior to that time, women scarcely appeared in the pages of history and art history books. Since then, scholars have unearthed abundant evidence of women's productivity beyond the domestic sphere. These paired courses examine how women made significant contributions in political, intellectual, creative, and artisanal work during the long Renaissance (1400-1650), as well as explore connections with creative women in our own time.
| Instructor | Overall | Workload | Challenge |
|---|---|---|---|
| Stephanie LeoneProfessor, Renaissance Art History · Art, Art History, and Film Provisional | 851 record | 78th | 37th |
There is no ranking to read here: Stephanie Leone is the only instructor with evaluation records for ARTH 1715, so the number is a record, not a position. It rests on 1 record, which is thin — read it as provisional.
Also taught by Stephanie Leone
6 other classes| Class | Instructors | Course score |
|---|---|---|
| ARTH 1102Art: Renaissance to Modern Times | 818 records | 85 |
| ARTH 4498Independent Study | 56 records | 100 |
| ARTH 2231Early Renaissance Art in Italy | 15 records | 81 |
| HIST 4233Renaissance Women | 22 records | 77 |
| ARTH 3344Venetian Art and Architecture | 11 record | 96 |
| ARTH 3347Age of Baroque: Seventeen Century Art in Italy | 11 record | 88 |
Other ARTH classes
All of themThe line
All 13 items · means across 1 recordBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
1 section · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Stephanie Leone | Fall 2025 | 01 | 85 | 87 | 60 |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.