AADS 2265
Women in Blues · 1 instructor on record · 3 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This course explores women in music from Vaudeville blues of the late 1800's, blues queens of the 1920's through contemporary blues artists such as Shamekia Copeland, Adele, Beyonce and Nicki Minaj. We will have mindful and empathetic conversations based on culture, race and perspective. The outcome of this class is that students have a thorough understanding of the legacy of blues music, the women who were at the forefront of the genre and the impact of blues on a worldwide audience.
| Instructor | Overall | Workload | Challenge | RMP overall |
|---|---|---|---|---|
| Shannon JacobAfrican and African Diaspora Studies | 953 records | 25th | 17th | 1003 ratings · all classes |
There is no ranking to read here: Shannon Jacob is the only instructor with evaluation records for AADS 2265, so the number is a record, not a position. The RateMyProfessors figure is their overall score across everything they teach, not their score in this class.
Also taught by Shannon Jacob
4 other classesOther AADS classes
All of them| Class | Instructors | Course score |
|---|---|---|
| AADS 1110Introduction to African Diaspora Studies | 510 records | 80 |
| AADS 1114When Gods Begin Again: Intro to African and African Diaspora Religions | 310 records | 84 |
| AADS 2204Music and Social Justice | 210 records | 90 |
| AADS 3310Studies of Race, Law, and Resistance | 110 records | 86 |
| AADS 6600Senior Seminar: Theorizing the Diaspora | 46 records | 94 |
| AADS 2182Black Popular Culture | 25 records | 90 |
The line
All 13 items · means across 3 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
3 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Shannon Jacob | Fall 2025 | 01 | 95 | 84 | 40 |
| Shannon Jacob | Fall 2024 | 01 | 96 | 91 | 40 |
| Shannon Jacob | Fall 2023 | 01 | 95 | 87 | — |
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.