MUSA 3100
Chromatic Harmony · 4 instructors on record · 32 sections
Boston College's ratings are bunched at the top — the median instructor averages about 88 out of 100 on the raw scale, and 44% of them clear 90 — so a raw score cannot separate anybody. Every figure here is ranked against BC classes and that rank is re-expressed out of 100, which is what turns a raw 88 — the middle of the university — into a figure that says where somebody actually stands. On this scale 77 is the median, 84 the top quarter and 91 the top tenth. Workload is then an adjustment on top of that, worth nothing at all for an ordinary one. Lighter work than 59% of BC classes.
The class itself, averaged across everyone who taught it — who taught it is the board below.
How is this worked out?
That is what a student picking a section is actually choosing between: the board carries each instructor's own score for this class, and the score above is the class averaged across all of them.
Boston College's own “intellectually challenging” question. It is not a measure of difficulty, grading or workload.
How is this worked out?
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
One of Boston College's five workload bands, not a number of hours. Higher means more work, not worse.
How is this worked out?
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This course covers the basic principles of chromatic progression. The proper use of secondary dominants, diminished seventh chords, and augmented triads precedes an in-depth study of the harmonization of Bach chorales, the concept of modulation using modal exchange, and the introduction of Neapolitan sixth and augmented sixth chords. We will study via harmonic and form analysis the works of great composers including Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Chopin, Brahms, Wolf, Mahler, and Wagner.Training in Keyboard Skills is required in the accompanying Lab.
Scores are real averages. The order also accounts for how many records back each one — the count is under every score — so one perfect review does not outrank a semester of them.
| Rank | Instructor | Curve | Easiness | Challenge | RMP overall |
|---|---|---|---|---|---|
| 1 | Ralf GawlickMusic | 8696 raw · 5 records | 66−3 to the score | 66th | 1001 rating · all classes |
| 2 | Emily MurphyAdjunct Professor, Piano · Music | 7586 raw · 10 records | 79+1 to the score | 37th | —no page |
| 3 | Thomas LeeMusic | 7284 raw · 7 records | 74−1 to the score | 66th | —no page |
| 4 | Ayako HattoriAdjunct Instructor, Piano · Music | 5964 raw · 10 records | 79+1 to the score | 37th | 663 ratings · all classes |
The RateMyProfessors column is an instructor's overall figure across everything they teach, not a figure about this class.
How this board is built and ordered
Positions account for how many records stand behind each number, so one perfect review does not outrank a semester of them. Every score shown is the real average — only the ordering is adjusted. The comparison here is the class itself: a thin record is read against how this class was rated overall, not against the university.
Every instructor with an evaluation record for this class is on this board — it is not a top ten, and nothing is hidden behind a “show more”. Curve is the instructor's score for THIS class only, ranked against every instructor we hold and printed back out of 100, with the raw BC average underneath it; nothing on this board is an average across the other things they teach. Easiness is an adjustment on top of it, worth up to about ±6 — BC's workload item, ranked and turned over, so a lighter section gains and a heavier one loses, while an ordinary one changes nothing — and each row prints the adjustment, signed. The board is ordered on the same figure it prints, adjusted for how many records back it. Challenge is BC's “intellectually challenging” item shown as a rank against every class we hold; students answer it positively about courses that stretched them, so it is not a measure of difficulty or grading, and it is never marked better or worse.
That site has no course dimension, so its figure is shown for information and kept out of the ranking.
The line
All 13 items · means across 32 recordsBars are ranks, not raw scores. Nothing here is graded good or bad.
What each item asks
- Explains Clearly
- The instructor was effective at creating an understanding of difficult subject matter.
- Available
- The instructor was available for help outside of class.
- Motivating
- The instructor motivated me to do my best work.
- Sparks Interest
- The course stimulated my interest in the subject matter.
- Organized
- The course was well organized.
- Clear Goals
- The learning objectives for the course were clear.
- Useful Later
- What I learned is applicable beyond this course.
- Assignments
- Assignments and exams contributed to my learning.
- Fast Feedback
- I received feedback on my work in a timely manner.
- Useful Feedback
- The feedback I received on my work was meaningful.
- Workload
- How much work the course took outside class, on Boston College's five-band scale — the band boundaries are not published, so this is not a number of hours.
- Challenge
- The course was intellectually challenging.
- Attendance
- Attending class was necessary to do well in this course.
Why these numbers are curved
Both the number and the bar are the rank against every comparable record we hold, printed back out of 100. BC's questions all have a median around 4.5, so on the raw scale every cell here would read in the high eighties and every bar would be nearly full — thirteen numbers that tell you nothing. Each cell prints its raw BC figure and its percentile underneath, so nothing is hidden by the transform. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
32 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Ralf Gawlick | Spring 2026 | 01 | 100 | 97 | 60 |
| Ayako Hattori | Spring 2026 | 02 | 70 | 70 | 60 |
| Emily Murphy | Spring 2026 | 02 | 80 | 70 | 60 |
| Thomas Lee | Fall 2025 | 01 | 84 | 84 | 60 |
| Ayako Hattori | Fall 2025 | 02 | 64 | 64 | 40 |
| Emily Murphy | Fall 2025 | 02 | — | 64 | 40 |
| Ralf Gawlick | Spring 2025 | 01 | 98 | 96 | 60 |
| Ayako Hattori | Spring 2025 | 02 | 44 | 45 | 60 |
| Emily Murphy | Spring 2025 | 02 | 75 | 45 | 60 |
| Thomas Lee | Fall 2024 | 01 | 97 | 95 | 60 |
| Ayako Hattori | Fall 2024 | 02 | 53 | 55 | 60 |
| Emily Murphy | Fall 2024 | 02 | 100 | 55 | 60 |
| Ralf Gawlick | Spring 2024 | 01 | 95 | 92 | 60 |
| Ayako Hattori | Spring 2024 | 02 | 80 | 70 | 60 |
| Emily Murphy | Spring 2024 | 02 | 100 | 70 | 60 |
| Thomas Lee | Fall 2023 | 01 | 95 | 88 | 60 |
| Ayako Hattori | Fall 2023 | 02 | 55 | 55 | 40 |
| Emily Murphy | Fall 2023 | 02 | 60 | 55 | 40 |
| Thomas Lee | Spring 2023 | 01 | 84 | 87 | — |
| Ayako Hattori | Spring 2023 | 02 | 44 | 53 | 40 |
| Emily Murphy | Spring 2023 | 02 | 80 | 53 | 40 |
| Ralf Gawlick | Fall 2022 | 01 | 100 | 90 | — |
| Thomas Lee | Fall 2022 | 02 | 84 | 84 | 60 |
| Ayako Hattori | Fall 2022 | 03 | 64 | 60 | 40 |
| Emily Murphy | Fall 2022 | 03 | 90 | 60 | 40 |
Showing the first 25.
How to read this board
Instructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.