ARTS 1102
Painting I: Foundations · 7 instructors on record · 40 sections
That is the class itself, averaged across everyone who taught it. Who taught it, and how each of them scored, is the board below — that is what a student picking a section is actually choosing between.
Boston College's own “intellectually challenging” question for this class only — students answer it positively about courses that stretched them, so it measures intellectual challenge and NOT grading, workload or quality. Almost every BC class scores high on it, which is why it is shown as a rank rather than a score.
Boston College reports workload for this class only as one of five bands, not as a number of hours, and it does not publish what the bands mean — so this site will not translate it into hours. Higher means more work, which is not the same as worse.
This is an introduction to the materials, methods and vocabulary of painting. The course uses observation and learning to see as the cornerstone for painting, but involves expression and abstraction as well as representation. The emphasis is on making the painting come alive rather than on copying. Students are expected to paint in the studio during class and to complete outside assignments. Critiques, slide lectures, and museum visits are integral parts of the course. This course incorporates historical components and writing assignments.
Scores are real averages. The order also accounts for how many records back each one — the count is under every score — so one perfect review does not outrank a semester of them. 1 of the 7 rows carry a mark saying so.
| Rank | Instructor | Overall | Workload | Challenge | RMP overall |
|---|---|---|---|---|---|
| 1 | Jennifer PochinskiStudio Art Provisional | 1001 record | 25th | 63rd | —no page |
| 2 | Sharon LaceyStudio Art | 8611 records | 79th | 19th | 502 ratings · all classes |
| 3 | Meghan MurrayStudio Art Provisional fewer records | 921 record | 78th | 62nd | —no page |
| 4 | Khalid KodiPart-time Faculty, Studio Art · Art, Art History, and Film | 8414 records | 87th | 16th | —no page |
| 5 | Marla McleodFine Arts Provisional | 831 record | — | 17th | —no page |
| 6 | Hartmut AustenAssociate Professor, Studio Art · Art, Art History, and Film | 794 records | 78th | 9th | —no page |
| 7 | Sammy ChongAssistant Professor of the Practice, Studio Art · Art, Art History, and Film | 778 records | 81st | 21st | —no page |
How this board is orderedPositions account for how many records stand behind each number, so one perfect review does not outrank a semester of them. Every score shown is the real average — only the ordering is adjusted. The comparison here is the class itself: a thin record is read against how this class was rated overall, not against the university.
Every instructor with an evaluation record for this class is on this board — it is not a top ten, and nothing is hidden behind a “show more”. Overall is the instructor's blended score for THIS class only, and its one contributing source is Boston College's evaluations for the sections in the row's record count — nothing on this board is an average across the other things they teach. Workload and Challenge are RANKS against every class we hold, not scores: BC's questions all sit near the top of the 1-5 scale, so a raw number would put almost every row in the high eighties and tell you nothing. Challenge is BC's “intellectually challenging” item, which students answer positively about courses that stretched them — it is not a measure of difficulty or grading. Neither column is ever marked better or worse. 3 of 7 rows are marked provisional: fewer than 3 records stand behind the number. That is thin evidence, not a bad instructor — the record count is in every row. The RateMyProfessors column is an instructor's overall figure across everything they teach; that site has no course dimension, so it is shown for information and kept out of the ranking.
The line
All 13 items · means across 40 recordsBar length is the rank against every comparable record we hold, not the raw score: BC's questions all have a median around 4.5, so a raw-scale bar would be nearly full on every row and would tell you nothing. Every bar is one ink colour — nothing here is graded green or red. The hatched bars are not ratings at all: a higher number on either describes a different course, not a better one.
Game log
40 sections · newest first| Instructor | Term | Sec | Instr | Course | Work |
|---|---|---|---|---|---|
| Meghan Murray | Spring 2026 | 01 | 92 | 90 | 60 |
| Khalid Kodi | Spring 2026 | 02 | 91 | 87 | 60 |
| Sharon Lacey | Spring 2026 | 03 | 93 | 89 | 60 |
| Khalid Kodi | Spring 2026 | 04 | 75 | 77 | 80 |
| Sharon Lacey | Fall 2025 | 01 | 92 | 89 | 60 |
| Sammy Chong | Fall 2025 | 02 | 65 | 70 | 60 |
| Khalid Kodi | Fall 2025 | 03 | 86 | 89 | 60 |
| Hartmut Austen | Fall 2025 | 04 | 72 | 71 | — |
| Sammy Chong | Spring 2025 | 01 | 87 | 84 | 60 |
| Khalid Kodi | Spring 2025 | 02 | 85 | 91 | 100 |
| Sharon Lacey | Spring 2025 | 03 | 89 | 96 | — |
| Jennifer Pochinski | Spring 2025 | 04 | 100 | 96 | 40 |
| Sharon Lacey | Fall 2024 | 01 | 69 | 76 | 60 |
| Sammy Chong | Fall 2024 | 02 | 76 | 76 | 60 |
| Khalid Kodi | Fall 2024 | 03 | 77 | 78 | 60 |
| Sharon Lacey | Fall 2024 | 04 | 75 | 77 | 60 |
| Sammy Chong | Spring 2024 | 01 | 76 | 74 | 80 |
| Khalid Kodi | Spring 2024 | 02 | 88 | 84 | 60 |
| Sharon Lacey | Spring 2024 | 03 | 97 | 96 | 60 |
| Khalid Kodi | Spring 2024 | 04 | 80 | 80 | — |
| Sharon Lacey | Fall 2023 | 01 | 90 | 83 | — |
| Sammy Chong | Fall 2023 | 02 | 65 | 64 | — |
| Khalid Kodi | Fall 2023 | 03 | 80 | 84 | — |
| Hartmut Austen | Fall 2023 | 04 | 77 | 70 | — |
| Marla Mcleod | Spring 2023 | 01 | 83 | 81 | — |
Showing the first 25.
How to read this boardInstructors are ranked on their record in this class only, never on their average across everything they teach. Scores are out of 100 — Boston College's 1–5 agreement scale, ×20, the way these numbers were printed for years. Workload is BC's own five-band figure, not a number of hours, and is shown as a rank. A dash means the question was not reported, and is never a zero.